© meliapond
posted 1 day ago with 38 notes
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posted 1 day ago with 26,574 notes
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ruinedchildhood:

Professor got cake tho

ruinedchildhood:

Professor got cake tho

Source:omgspiffy
posted 1 day ago with 86 notes
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posted 1 day ago with 2,155 notes
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posted 1 day ago with 32 notes
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posted 1 day ago with 914 notes
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otp: thombjorke

otp: thombjorke

Source:bjorkswig
posted 1 day ago with 7,500 notes
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ckwh:

here he is, goku

ckwh:

here he is, goku

Source:ckwh
posted 1 day ago with 103,225 notes
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cohdyy:

heyfunniest:

Pokemon irl 

are you fucking kidding me

cohdyy:

heyfunniest:

Pokemon irl 

are you fucking kidding me

Source:heyfunniest
posted 1 day ago with 2,571 notes
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gorditaputa:

fangirl challenge: movies (1/10)

The Fifth Element (1997, dir. Luc Besson)

Source:gorditaputa
posted 2 days ago with 6,141 notes
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theatlantic:

The Little Mermaid's Twisted, Sofia Coppola-esque Origins

The news that Sofia Coppola will direct a live-action adaptation of The Little Mermaid probably, rightfully will be lauded as an encouraging development for women in Hollywood. There are a number of successful female directors in the film industry (although not nearly enough), but it’s still shockingly rare that one gets assigned such a high-profile studio project. 
Yet the producers of the film deserve props not (only) for choosing a woman director, but for choosing the perfect director for the story they’re going to tell.
Coppola’s films are known for their aesthetic beauty and moody, dream-like atmosphere. But her works all share something else, too. She’s not a political filmmaker per se, but the world that she depicts is one in which women are oppressed—not necessarily by men, but by cultural myths. Whether portraying a strictly traditional monarchy (Marie Antoinette), a fame- and image-obsessed society (The Bling Ring), or the all-American horny teenager (The Virgin Suicides), Coppola’s films rebel against a world that dictates the rules for women and then punishes them for playing by them.
The Little Mermaid follows the exact same template, but takes the punishment even further.
Read more. [Image: Matt Sayles / AP; Wikimedia]

theatlantic:

The Little Mermaid's Twisted, Sofia Coppola-esque Origins

The news that Sofia Coppola will direct a live-action adaptation of The Little Mermaid probably, rightfully will be lauded as an encouraging development for women in Hollywood. There are a number of successful female directors in the film industry (although not nearly enough), but it’s still shockingly rare that one gets assigned such a high-profile studio project. 

Yet the producers of the film deserve props not (only) for choosing a woman director, but for choosing the perfect director for the story they’re going to tell.

Coppola’s films are known for their aesthetic beauty and moody, dream-like atmosphere. But her works all share something else, too. She’s not a political filmmaker per se, but the world that she depicts is one in which women are oppressed—not necessarily by men, but by cultural myths. Whether portraying a strictly traditional monarchy (Marie Antoinette), a fame- and image-obsessed society (The Bling Ring), or the all-American horny teenager (The Virgin Suicides), Coppola’s films rebel against a world that dictates the rules for women and then punishes them for playing by them.

The Little Mermaid follows the exact same template, but takes the punishment even further.

Read more. [Image: Matt Sayles / AP; Wikimedia]

Source:The Atlantic
posted 2 days ago with 51,092 notes
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ronaldtherapist:

actual storyline from american horror story

posted 2 days ago with 24,172 notes
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moldymolly:

#need
posted 2 days ago with 12 notes
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theforecastisblue:

I don’t care about what people say about the Wabbajack being obnoxious because it’s unpredictable…. because I blew a dude up and HE TURNED TO FUCKING GOLD PIECES AND I AM STILL LAUGHING FROM THE AWESOME OF IT

posted 2 days ago with 104,689 notes
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posted 2 days ago with 45,490 notes
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